No More Mondays: Fire Yourself - And Other Revolutionary Ways to Discover Your True Calling at Work
Author: Dan Miller
Is Your Job Making You “Stupid”?
Adam Smith, author of The Wealth of Nations, once wrote that a person who spends his life performing the same repetitive tasks “generally becomes as stupid and ignorant as it is possible for a human creature to become.” Wow! Now that’s not a pretty picture. Unfortunately, much of our work today consists of those boring, repetitive tasks.
But maybe you’re one of the many who have gotten caught up in thinking work is just something you do to support your weekends. Work is that necessary evil, a means to an end, or just a curse from God. You probably take your role of providing for yourself and those depending on you seriously. But you don’t expect to enjoy your work—you just do what has to be done.
Only now you’re seeing that even loyalty and dependability bring no guarantees. Lately you’ve seen coworkers who have been let go after years of faithful service. Perhaps your entire industryhas been shaken by outsourcing or changing technology. Maybe you’re tired of the long commute and being tied to your desk when you know you could make your own hours and still be productive. You may have ideas stirring that you think could create new income and time freedom.
But here comes another Monday. Maybe feeling trapped is just the reality of the way things are. Doesn’t everyone dread Mondays? Doesn’t every responsible person just bury their dreams and passions in exchange for getting a paycheck?
Absolutely not! All of us, no matter how old we are or what kind of work we’re doing, can learn to bring the sameexcitement to our jobs that we bring to whatever we love to do on our days off. I believe that each one of us can pursue work that is a reflection of our best selves—a true fulfillment of our callings.
No More Mondays will show you that meaningful work really is within your grasp. And once you’ve opened the door and seen all the exciting career opportunities that await you—whether you decide to revolutionize your current job or launch a new career altogether—you’ll find you can’t go back to the old way of working.”
From No More Mondays
For everyone who dreads going to work on Monday mornings, inspiring advice on how to find fulfilling work in an uncertain age.
Do you hate Mondays?
If so, what's keeping you at your current job?
If you said a steady paycheck and the promise of a secure retirement, then you're in for a big disappointment. In today's volatile economy, there is nothing safe about punching the clock for a job you hate.
As beloved talk-show host and bestselling author Dan Miller reveals, the only way to find true security is by following your calling and then finding or creating work that matches that calling and passion.
No More Mondays’s practical, inspirational advice speaks to people looking for guidance on how to launch a new career or business, those who want to stay in their current jobs and give the old 9-to-5 model a twenty-first-century makeover, and managers desperate to understand the way people want to work today. For all of them, Dan Miller's message is loud and clear: If you're one of those people who dread going to work on Mondays, do something about it!
Fashion Design
Author: Sue Jenkyn Jones
Fashion Design is the first book to offer readers a thorough grounding in the principles of fashion design. It describes the qualities and skills needed to become a fashion designer, examines the varied career opportunities available, and gives a balanced inside view of the fashion business today.
Table of Contents:
| Introduction | ||
| Who this book is for | 6 | |
| How to use the book | 7 | |
| Have you got what it takes? | 8 | |
| The first steps | 10 | |
| The college syllabus | 12 | |
| I | Context | |
| The uses of clothing | 17 | |
| The language of fashion | 22 | |
| The geography of fashion | 24 | |
| Two kinds of fashion | 25 | |
| Time and timing | 28 | |
| The fashion calendar | 30 | |
| The fashion cycle | 31 | |
| Fashion and culture | 34 | |
| Media | 35 | |
| Fashion time line | 36 | |
| II | From manufacture to market | |
| Historical background | 40 | |
| Manufacture today | 40 | |
| Types of producer | 44 | |
| Market segmentation | 47 | |
| Types of retailer | 50 | |
| Price points | 54 | |
| III | The body | |
| Inspiring bodies | 58 | |
| Drawing and illustration | 64 | |
| Using computers | 73 | |
| The elements of design | 76 | |
| The principles of design | 80 | |
| IV | Colour and fabric | |
| Colour basics | 88 | |
| Fabrics | 96 | |
| Range building | 106 | |
| Fabric suppliers | 108 | |
| Fabric fairs | 110 | |
| V | In the studio | |
| The college studio | 112 | |
| Measuring and mapping | 113 | |
| Pattern drafting | 115 | |
| Developing the pattern | 118 | |
| The toile | 119 | |
| Making the toile | 120 | |
| Markings and notches | 122 | |
| Draping on the stand | 123 | |
| Cutting the sample | 125 | |
| Sewing | 126 | |
| Fitting | 127 | |
| VI | The brief | |
| What is a brief? | 138 | |
| Types of brief | 138 | |
| What the brief asks of you | 139 | |
| Aims and objectives | 139 | |
| Inspiration | 146 | |
| Personal creativity and style | 147 | |
| Presentation | 150 | |
| The crit | 157 | |
| Assessment | 157 | |
| VII | The final collection--and beyond | |
| The final collection | 161 | |
| The college fashion show | 161 | |
| Student exhibitions | 169 | |
| Your portfolio | 172 | |
| Your first job | 174 | |
| Careers in fashion | 177 | |
| Writing a CV or resume | 180 | |
| The interview--some dos and don'ts | 181 | |
| Glossary | 184 | |
| Further reading & useful addresses | 186 | |
| Index | 188 | |
| Picture credits & acknowledgements | 192 |
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